Tuesday, June 18, 2013

Lait Larde - Part 1

I will start with a warning to readers - this is a long post!

Because I have done a rather hefty bit of documentation for this recipe, I will start by giving you the final product, and then go on to the background.  That way if you just want to try making it, you can do so.  If you want to know where the recipe came from, read on, and if you want to know more about the history of the ingredients etc. read on further.

What can you do to cheese to make it even better?  Add bacon, and fry it!



On the stove, curds separating from the whey
Recipe
  • 24 threads of saffron
  • 250g smoked speck pieces
  • 2 litres of whole (NOT lowfat) milk
  • 1 cup of verjuice
  • cloves
  • pine nuts
Take milk, and put it in a pot, and put it on the fire to heat up. Add the lardons, and ground saffron and gradually raise to boiling temperature. Take off the heat and add the verjuice to curdle the milk.
Allow to cool in the whey. Once cooled, pour it into a piece of straining cloth and form it into a long flat shape. Place a heavy weight on top (I used nested containers and piled up weights on the container on top) and keep in the fridge overnight. The next day, slice into pieces and fry in a pan with a bit of bacon grease. Serve on plates and sprinkle with ground clove and pine nuts.
Serving suggestion: if you strain out the bacon bits after cooking, you will get a more solid cheese, but still with the lovely flavour.  
The cheese curds ready to be pressed
The fully monty: Lait Lardé (Larded Milk)
A 14th century French cheese
Recipe source (or... who came up with this idea anyway?)
Le Viandier de Taillevent is a cookbook attributed to Guillaume Tirel (1310 – 1395), who was the cook of Charles V and master of the kitchen stores of Charles VI.
14the and 15th century manuscripts of this cookbook are in existence: in the Biblioteque Nationale (France), the cantonal library of Sion (Switzerland), the Biblioteque Mazarine (France), and the Vatican Library (Italy).
Originally I found a recipe in the book “Le Viandier de Taillevent” by James Prescott. This claims to be a translation of a transcription of the Vatican Library manuscript.
Larded Milk
Take some [cow's], boil it on the fire, lift it down from the fire, put it on a few coals, and thread in beaten egg yolks. If you wish it for a meat day, take lardons, cut them into two or three bits, and throw them into the milk to boil. If you wish it for a fish day, do not add lardons, but throw in some wine and verjuice to curdle it before you lift it down. Remove it from the fire, put it in a white cloth, let it drain, wrap it in 2 or 3 layers of the cloth, and press it until it is as firm as beef liver. Put it on a table, slice it into strips the size of a full palm or three fingers, button them with whole cloves, fry them till they are browned, set them out and throw some sugar on top.
However as the word “Lardé” is fundamental I wished to satisfy myself that this was a correct translation of the original French.
I obtained transcriptions (in French) of the Sion, Mazarine and Biblioteque Nationale manuscripts, and was disconcerted to find that none of them contained the recipe at all. I obtained a transcription of the Vatican manuscript but unfortunately it also did not contain the recipe.
After further research I discovered that in 1893 they discovered a second part to the Vatican Library manuscript which contains 23 additional recipes, including that for Lait Lardé.
Scully's “Early French Cookery” provides the recipe in French:
Lait Lardé
Prenez le lait de vasche ou de brebis, et mectez fremier sur le feu. Et gectez des lardons et du saffran et ayez oeufs (scilicet blanc et moyeaux) bien batuz, et gectez a ung coup sans mouvoir, et faictes boulir tout ensemble. Et apres hostez hors du feu et laissiez tourner; ou sans ouefz les fait l'en tourner de vertjus. Et quant il est reffroidié l'en le lye bien fort en une piece de toille ou estamine, et luy donne l'en quelque fourme que l'en veult, ou plate ou longue, et chargié d'une grosse pierre laissiez reffroidier sur ung drecourer toute nuyt. Et l'endemain laiché, et frit au fer de paelle (et se frit de luy mesmes sans autre gresse, ou a gresse qui veult) et est mis en platz ou escuelles comme lesche de lart, et lardé de giroffle et de pignolet; et qui le veult faire vert, si prengne du tournesot. 
 
And  “Menagier de Paris”, contains an English translation:
Larded Milk
Simmer cow's or sheep's milk and add bits of diced bacon and saffron. Take whole eggs, scilicet the white and yolks, beat well and pour in all at once, without stirring, boiling all together. Remove from the fire and let it curdle; or without eggs, use verjuice to make it curdle. When it is cool, fasten it tightly in a piece of linen or cheesecloth and give it whatever shape you wish, either flat or long, and weight it with a large rock, leaving it to cool overnight on a sideboard. The next day, open it up and fry in an iron skillet – it needs no added grease, but you can add some if you wish – and place it on plates or in bowls like slices of bacon, and stick it with cloves and pine nuts. Should you want a green colour, use tournsoc.
This is clearly a very different recipe from the one written by James Prescott, which contains no references to sheeps milk, saffron, uses just egg yolks not whole eggs, uses wine and verjuice to curdle, and sprinkles the final dish with sugar (omitting the pine nuts). I was glad I spent the time to research and find a more accurate description!
However, I decided that I should, in fact, attempt to translate the original French myself. I speak some French so a fair amount of the recipe was understandable to me, however to deal with unfamiliar words and to try to ensure that I was making the minimum of linguistic assumptions, I obtained a facsimile of a 1611 French/English dictionary, which I used to translate. While this dictionary is much later than the Taillevent manuscript it seemed to me a closer bet than a modern dictionary.
Here follows my translation:
Larded Milk (translation by Kiriel)
Take the milk of a cow or sheep, and put in a tub [Mect is translated as a tub or trough] and put on the fire to simmer. Cast lardons [this term is also used in modern French, in which it refers to matchsticks of thick bacon – in 1611 it is read as “the little slice or piece of lard wherewith meat is stucke”] and saffron and whole eggs (Indeed [Yay!  The hivemind that is my friends have given me the translation of scilicet, confirming to me that I really need that out-of-print latin-french dictionary!] white and middle), well beaten, and cast this in one blow, without stirring, boiling all together. And after lift off the fire and leave to turn, or if you have not added eggs, use verjuice to turn [curdle] the milk.
And when it is cooled, pour it into a piece of toille [voile – translation is actually tuille] or seiving cloth and give it what form you wish, flat or long, and press with a large rock, leaving to cool under a cover overnight. The next day, open and fry on the fire in a pan (and you can fry it without other grease, or with grease if you want), and place on plates or in a porringer like leaves of bacon, and top with clove and pine nuts; and if you would make it green, then use tournsot [I believe this might be tournesoc, a plant commonly used in period for colouring].
There are not many real differences between my version and the previous translation, however at least one of these is significant – the first sticks cloves into the pieces, whereas my translation says to top with cloves, which could be ground instead. I believe this is a much more likely scenario – why waste entire cloves when you are just after the flavour?

Monday, June 17, 2013

The ingredients: Lait Larde part 2

The ingredients
(wherein Kiriel establishes that lards aint lard, and investigates the pH of verjuice)

This recipe contains few ingredients, but the use of them is not as simple as you might assume! So let's go through each one.

  1. Saffron

Saffron was the King of spices in the medieval world. Incredibly expensive, outrageously colourful and equally exquisitely delicate in flavour, these flower stamens remain today the world's most expensive spice. The strands are toasted lightly to dry them out so that they can be ground up and added to dishes. Imitation saffron powder will give a similar colour, however will not give the very specific flavour that real saffron imparts to the dish.

Just as Taillevent cooked for Kings, so I cook for judges deserved of great esteem, and thefore use a generous portion of this precious spice.

  1. Lardons

The 1611 French/English dictionary describes lardons as “the little slice or piece of lard wherewith meat is stucke”. In modern France this remains pretty much the same – lardons are something akin to what we would call “bacon bits”, but in a more of a thick matchstick form.

Whatever form they are in, one thing is reasonably sure – medieval lardons would have been saltier than modern equivalents. Smoking and salting meat was the most common way of preserving meat, as refrigeration options were much more limited for the medieval cook. A well smoked and/or salted ham can be eaten for years – unlike the average slab of bacon you buy in the supermarket now! Try a lovely slender slice of Spanish jamon iberico and be converted forever away from pale and flaccid bacon!

For my initial experiments with the recipes, I tried a supermarket bacon, but it quickly became clear that as one of the fundamental flavours of this recipe, it just did not work.

I tried the recipe again with a mature salt cured speck and the improvement was enormous, but it still was missing the smoky flavour I felt was needed.

I visited two butchers that smoke their own meats and bought a wedge of speck from each. They were very different from each other and both delicious, and choosing which was the better flavour was challenging (oh the sacrifices I make for my cooking, eating lots of bacon flavoured cheese!)

  1. Milk

Milk of course in period was not homogenised nor pasteurised. Homogenisation is the process by which the fats (the cream) in milk are broken up and distributed through the milk, where naturally they would slowly rise to the top of the bottle or carton as cream. Pasteurisation is a process whereby milk is raised to a high temperature to kill off bacteria.

What difference does this make to cheesemaking? Ask any French cheesemaker and they are likely to simply throw their hands up in the air and mutter something along the lines of “Philistine!” at the question. Homogenisation does not in my experience in fact make a great deal of difference at least at the level of cheesemaking in this recipe.



Pasteurisation does make a difference. Hundreds of modern French and Swiss cheeses are made from unpasteurised milk. These cheeses tend to have a far stronger smell than any Australian cheese you will ever have tasted, although surprisingly, often a far milder taste than you expect. Unpasteurised milk is hard to get in Australia – you can sometimes buy it as “bath milk” from organic shops.

Other things that also made a difference in period, and in some countries continue to make a difference is the season, and the feed the animals eat. The amount of fat and lactose in milk changes according to the season and the taste and properties of the milk change dependent on the diet of the animal – Vacherin Mont d'Or for example is made from a mixture of milks – one part from when the cows eat spring grasses, and one part from when they eat hay – oh and only from one particular mountain in France. 


I might as well do a bit of myth busting while I am on the subject of milk.
You are sure to have seen in the shops "Permeate free milk" advertised as if permeates are some evil chemical. Well in fact permeates are a mix of  milk-sugar (lactose), vitamins and minerals that are found in milk.  Because the qualities of milk from the cow change seasonally, adding (or not) permeates allows dairies to have consistency in milk across the year, which among other things means that they don't have to make a different nutrition label for every batch of milk, and means that the milk you buy today will have the same qualities as the milk you buy tomorrow. No evil, just consistency.  Whether you feel you want consistency in your milk is another question that I won't get into here.



I tried this recipe with both homogenised and non-homogenised milk, achieving the same results.
You do need to use whole milk though, not skim or non-fat!

I made the decision not to use sheeps milk a) because I couldn't find it and b) I thought it best to try and get a more familiar taste in the cheese.

  1. Verjuice

I started this experiment trying both verjuice and wine (as per the James Prescott version of the recipe). With new white wine, the milk refused to curdle. With verjuice it refused to curdle. A few days later the same wine (having sat on the kitchen bench) mixed with verjuice did curdle. I also tried with red wine which worked excellently:

But of course then I discovered that my recipe was wrong, so had to abandon the whole wine experience. I tried again with verjuice and again it failed. I tried with verjuice mixed with lemon juice and had much greater success. So   I decided it was time to investigate the properties of verjuice a bit further.

Verjuice is unfermented grape juice produced from early season grapes – picked before they are fully ripened. But the acidic qualities of verjuice differ from grape to grape, and within the season Menagier de Paris states that “in July old verjuice is very weak and the new is still too sharp. After this time, during the harvest, a mixture of half old and half new is best”. (recipe 279).

It was common in period too, to have substitutes for verjuice, since its unfermented nature meant that it did not preserve well. In the Italian period cookbook Libro della Cocina, it is advised that you could use lemon juice, orange juice or rosewater as substitutes. Menagier de Paris even provides a recipe for a sorrel based verjuice.

I concluded that the verjuice I had (Maggie Beer) was probably a bit more sophisticated and less acid than period verjuice. To test the acidity of my verjuice, I sought out testing strips. After some searching I had to settle on purchasing a set of strips to test swimming pools and spas. Unsurprisingly the acidity of lemons is rather off the scale compared to that of the average swimming pool but it still provided some useful data. 


 

I compared Maggie Beer verjuice, Anchor verjuice, (squeeze) lemon juice, and later, vinegar.


The Maggie Beer tested slightly differently to the Anchor verjuice, which showed equivalently to the lemon juice in both alkalinity and pH. Interestingly the Anchor showed very low traces of free chlorine, and the vinegar's pH test result was outright bizarre.

So from then on I used the Anchor verjuice, to much better effect. The taste of verjuice in the cheese is quite different from lemon and very pleasing.

  1. Cloves

Freshly ground cloves – ah that smell, redolent of mulled wine and easter buns! An absolute staple in every sophisticated medieval kitchen, cloves were among the most prized and necessary spices. Every cook would have a pouch of cloves and they were an essential ingredient in the classic medieval spice mixture, powder forte.

You may feel wary that something as spicy and strong as cloves would overwhelm this dish, but have faith... there is something magical that seems to happen when you combine cloves and speck...!

  1. Pine nuts
There are many species of pine that produce edible pine nuts. As an ingredient in my research I have seen them mainly being used in period Italian and French cookery.



A brief mention of tournsoc:

This is Gozophoria tinctoria, a lichen – it is naturally blue but turns red in acid situations and blue in alkaline – presumably the combination of it and saffron creates the green mentioned in the recipe.



References:
Secondary
Le Viandier de Taillevent – Vatican manuscript
Le Viandier de Taillevent – Sion manuscript
Le Viandier de Taillevent – Mazarine manuscript
Le Viandier de Taillevent – Biblioteque Nationale manuscript
A dictionarie of the French and English Tongues (1611), by Randle Cotgrave

Tertiary
Early French cookery – Scully
The Art of Cookery in the Middle Ages – Terence Scully

Le Viandier de Taillevent – James Prescott *I do not recommend using this!